Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts

Saturday, March 21, 2020

Reviving the Strathmore Class--Free!

Hi all...years ago (2012! Time flies!), Strathmore Papers asked me if I'd be one of the artists in their series of free workshops, and of course I agreed!  Watercolor Sketching is one of my favorite things.

There's little enough I can do to help those who are housebound, self-isolating, social distancing or quarantined, I think now is a good time to make the class easily available again, so for the next few days I'm going to link to one of the 4 lessons...


My beloved old Prang paintbox, with my own colors added...


They're all on my YouTube channel, of course, and you may have seen them already, but this may make them easier to find!  Who's got time for all the searching?  (Oh, wait, maybe we do, just now!)

The first lesson is HERE. And I hope you enjoy it...it's on Getting Started.

I have no idea where the original art is on my computer, the search function didn't help, so I'll include a few pertinent images that you may find helpful!

These are the colors I most often use, though seldom have sap green in my kit any more...

I love making up my own paintboxes!  It can be really simple--as you can see, this is pretty much the primaries plus Burnt Sienna and Indigo...and you can make literally dozens of mixtures.
Have fun, all!

And don't forget, I have a LOT of free how-to videos on my YouTube channel...there will be more available in the coming weeks. https://www.youtube.com/user/KateJosTube 

Tuesday, August 19, 2014

Stories hidden in the wood...

...not "the wood" in the sense of "into the woods," but the way a memory is triggered, full-blown, complete with scents, sounds, touch, sight...


We sat companionably in the shed last night and suddenly my eye was caught by a piece of oak that has been on my desk since we built the shed--and before that, in a place of honor among my treasures in the dining room--and before that, on a shelf at our old farmhouse.

I remembered that rounded end used to glow with a deep shine; I felt the need to rub it until it shone once again. 

And like Aladdin's lamp, the genie of memory was called forth.

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When we lived on the farm, back in the 70s, my then-husband Harris and I cut wood for fuel.  We also had propane, but it was not adequate for our tiny 140-year-old log house, and the cats' water would freeze on the floor.  So would our feet!  We supplemented with a woodstove and a vintage cookstove in the kitchen, and that meant cutting a lot of wood.

We preferred to cut deadwood, already seasoned and ready to burn, so we constantly kept our eyes open for possibilities.  I think we amused some of our longtime REAL-farmer neighbors when we'd ask if we could cut this or that old snag, but they always graciously allowed the greenhorns to do what they needed to, to survive.

This wintry day we climbed a barb-wire fence into an unused pasture with the tumbled remains of another log cabin on it, a frontier homestead long abandoned, fallen in on itself.  The tree that had once shaded those ghostly inhabitants had long since succumbed to age or lightning or wind, and lay reaching toward the road with broken, bare branches. Perfect firewood, that aged oak.

My Ichabod-Crane husband plied the roaring chain saw while I split and carried wood to our undependable old Chevy truck...and then I noticed the rounded end of one of those branches.  It shone with a rich polish, smoothed by years of cattle rubbing against it to ease an itch; it looked as though it had been sanded and rubbed with tung oil for generations.

At my request, my bemused spouse cut that end off for me and I carried it home, separate from the more mundane firewood--the rest of the wood burned merrily in our stoves, but that little piece has traveled with me down the decades, from house to house and life to life.

And polishing it again to restore its glow, I can still smell the aroma of cattle, the prickle of frost in my nostrils, the scent of my own woodsmoke on a snowy day. 

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Funny that it took me close to 40 years to sketch it.  While we lived on the farm, I did some of my favorite paintings--of my double-bitted axe, of the barn door, of the goats, the woodpile, the watering trough in a nearby field, and the colander full of just-hulled peas.  I painted  the hand scythe in the barn, the bright jars of tomatoes on the woodstove, Harris tilling the garden, myself carrying wood into the house. I painted the beloved little house itself.  I even painted Ern, our elderly neighbor, making sorghum and wreathed in sweet, fragrant steam.

Winter Crow
 
Hand Scythe



Old Ern

But this homely bit of magic in its place of honor on my desk is what called up the memory of that one icy afternoon, in all its amazing detail. 

That's the magic of art.

Wednesday, February 17, 2010

Autumn Lake, Ray County--SOLD



"Autumn Lake, Ray County"
9" x 12"
watercolor pencil on archival paper
 

This is a hidden lake on a private holding in Ray County, Missouri. My friends and I had secured permission to explore, hike, sketch, and photograph, and we came across this beautiful spot. The leaves were gone, but the still water reflected a pristine sky and lakeside reeds glowed as if on fire!

I hope it finds a home with you...




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Mini-demo:

I chose watercolor pencil for this, since I could sketch in those graceful bare limbs with my pencil point, then soften them with clear water to suggest the tiny twigs you barely see from a distance...

I varied the color a bit to give the impression of the different types of trees.




The clumps of reed were like soft down-filled pillows!  I know they had provided cover for waterfowl, frogs, and fish, spawning near the banks.





 I love the way watercolor pencil allows interesting, natural textures like those above, while making wonderful puddles that feel like washes...I lifted the light color trees with a small stiff brush, and then, when everything was dry, scratched through with a sharp point.

You can click on these images to see them larger...

Strathmore 400 CP watercolor paper has a good hard finish and works well with watercolor pencil, allowing you to lift and scrape without damaging the surface.

These are Faber-Castell Albrecht Durer pencils...soft, rich, and intensely pigmented.

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This painting is offered unmatted and unframed to keep costs down. It will come to you carefully wrapped via Priority Mail, in the US. Insurance included in the shipping cost

$225

SOLD

This painting was originally done for by North Light book, Watercolor Pencil Magic, now out of print.  In order to meet the demand, I produced an expanded version of the book, Watercolor Pencil Workshop on CD, restoring one whole chapter that had to be edited from the book for space reasons; the CD is in PDF format, and has bonus reading.  We use this CD for my online classes!



The CD is $15.99 + shipping--you can find it here, if you like:


Wednesday, June 3, 2009

Miss Lara and the Yatates-SOLD


"Lara and the Yatates"

8" x 10"
ink on Bristol vellum

Yatates are wonderful Japanese traveling paint kits--they have been in use for well over 400 years, and were part of a Samurai's basic equipment. Yatates come in many shapes and sizes--I have four in my collection, all thought to be Edo-era, 1603-1868. They are FUN to use in the field! Mine were all quite inexpensive, considering, and are made of brass and copper--virtually indestructible, though I DID panic when I left one of them in a restaurant in the next town! They had no idea what it was, but they kept it safe in the office till we could get back over and retrieve it.

There is ink-saturated cotton, silk or sponge in the bowl, and the hollow handle holds a brush for writing or drawing in the Sumi-e style.

Here's a photo of the same two yatates...lovely, aren't they?

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MINI-DEMO
detail from the ink painting above

It just seemed right somehow to use the Sumi-e brush and paint without preliminary drawing with pencil, as the Samurai might have done. I do find I tend to hold my breath a lot when I work that way, though!

Brushes of this sort often come to a lovely point so they are good for drawing, writing, or painting...I just paid close attention to shapes and relationships as I worked, using the tip of the brush for lines and details, and the body of it for Miss Lara and the soft gray shadows.


I diluted the ink with water for the halftone grays on the yatates, but left it full strength for our beautiful black cat, Lara. (She was named after the heroine in Dr. Zhivago, since she too was shot and thrown into a snowbank to die. My husband's daughter found her, rescued her and brought her back to health.)

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Most of the paintings offered here are unmatted and unframed, both to save on shipping charges and to allow you to suit your own taste and decor.

Doing so allows me to keep the prices down
and puts original art in the hands of more people!

$100

SOLD, and thank you so much!

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